© All rights reserved 2005-2024 Liszt Ferenc Society
8th ESZTERGOM LISZT WEEK
(August 16th – 31st 2018)
The
organizing
committee
of
the
8th
Liszt
Week
in
Esztergom
had
worked
out
a
large
scale
programme
during
the
early
time
of
preparation,
however,
as
time
was
passing
by,
these
plans
seemed
more
and
more
come
to
naught;
and
the
reason
was
not
the
absence
of
the
invited
musicians’
willingness,
but
a
lack of money.
Actually
in
May
it
already
seemed
that
even
though
the
city
of
Esztergom
for
example
supported
our
project
with
enthusiasm
and
pleasure,
the
Liszt
Week
could
not
be
held
even
with
a
schedule
reduced
from
8
to
6
days
–
when
we
unexpectedly
received
help
in
the
form
of
financial
support
from
the
President
of
Hungary
János
Áder,
which
made
it
possible
for
us
to
set
off
in
a
“rush”
to
prepare
all
the
necessary
elements
and
conditions
of
the
Liszt
Week
(from
August
26th
to
31st)
in
the
short
time
available.
In
our
previous
issue,
we
published
the
programme
of
the
8th
Liszt
Week,
now
we
provide
short
reviews
about those concerts to our readers.
The
first
piece
on
the
programme
of
the
Liszt
Week
was
Ad
Nos,
ad
salutarem
undam,
performed
by
Péter
Kováts,
choir-master
and
organist
of
the
Esztergom
Basilica,
who
launched
the
series
of
concerts
with
his
most
individual
and
slightly
overwhelming
interpretation
–
as
far
as
the
volume
of
the
sound
is
concerned – of this large-scale composition.
Following
the
festival's
tradition,
one
of
Liszt’s
masses
was
on
the
programme
at
both
the
opening
and
closing
concerts
in
the
Basilica.
This
year,
local
musicians
from
Esztergom
played
a
major
role
in
the
Liszt
Week:
on
August
26th,
at
the
opening
concert,
the
Hungarian
Coronation
Mass
was
performed
with
the
contribution
of
the
Balassa
Bálint
Mixed
Choir
of
Esztergom
and
the
Choir
of
the
Basilica,
partly
with
local
soloists
–
however,
this
time
not
in
the
orchestral
version,
but
in
the
organ
transcription
by
Csaba
Király,
Liszt
Prize-winning
pianist
and
organist,
played
by
himself.
The
conductor
was
László
Reményi.
On
August
31st,
the
162nd
anniversary
of
the
Basilica’s
consecration,
the
Missa
solennis
(Gran
Mass)
was
conducted
by
József
Reményi,
who
participated
in
the
Liszt
Week’s
musical
events
for
the
first
time.
The
performers
were
the
Esztergom
Symphony
Orchestra,
the
Balassa
Bálint
Mixed
Choir,
the
Choir
of
the
Basilica
(in
the
Gran
Mass
completed
by
the
Choir
of
the
National
Széchényi
Library),
while
the
soloists
were
Gabriella
Daróczi,
Sára
Dezső
(Coronation
Mass),
Adrienne
Miks,
Mercedes
Heim
(Gran
Mass),
Árpád
Pálmai
and
Zsolt
Lettner
(in
both
masses).
Both
conductors
are
the
sons
of
Károly
Reményi,
the
founding
director
of
the
Esztergom
Music
School
and
retired
choir
master
of
the
Esztergom
Symphony
Orchestra
and
the
Balassa Bálint Choir. There was a nearly full house in the church on both occasions.
On
August
27th,
there
was
another
concert
in
the
Basilica,
this
time
with
guest
performers:
József
Ács,
the
pianist,
organist
and
conductor
who
lives
in
Germany,
gave
a
concert
with
the
contribution
of
his
wife,
Violetta
Palatinus,
the
excellent
soprano
singer.
Ács
played
–
with
the
exception
of
Ferenc
Liszt's
organ
composition
Hosannah
–
his
own
organ
transcriptions.
The
programme
included
works
by
Händel,
Mihály
Mosonyi,
Richard
Wagner
and
most
of
all
by
Liszt,
and
the
organ
transcriptions
represented
a
unique
sound.
We
shall
remember
for
a
long
time
Liszt’s
extremely
rarely
played
Jeanne
d'Arc
au
bûcher
(Joan
of
Arc
at
the
Stake),
a
dramatic
scene
for
voice
and
organ,
as
well
as
Mihály
Mosonyi’s
Ave
Maria,
also
performed
by
voice
and
organ.
The
audience
was
deeply
touched
by
the
organ
transcriptions
of
Ferenc
Liszt's piano pieces from his old age – Grey Clouds and Unstern! (Evil Star) – as well as the Dich teure Halle aria from Wagner’s Tannhäuser,
and Ferenc Liszt's Hosannah, as the final number of the concert.
There
was
a
forced
change
in
the
programme
–
due
to
unfortunate
illness
–
on
August
28th,
when
instead
of
the
chamber
version
of
Chopin's
piano
concerto
in
E
minor,
Renáta
Konyicska
gave
a
full
evening
solo
recital:
the
programme
included
Beethoven's
Pathétique
sonata,
Schumann’s
Kinderszenen
(Scenes
from
Childhood),
Liszt's
Transcendental
etude
in
F
minor,
followed
by
Schubert’s
Ständchen
in
Liszt’s
transcription,
and
finally
Schubert's
magnificent
Sonata
in
B
flat
major.
Renáta
Konyicska
had
already
appeared
at
the
Liszt
Week
in
Esztergom
10
years
ago,
when
she
was
almost
a
child,
and
she
has
been
a
regular
contributor
at
Liszt
events
ever
since.
Thus,
one
could
follow
her
artistic
development.
This
time
her
playing
the
piano
was
somewhat
more
moderate
and
veiled,
compared
to
what
we
have
been
used
to
from
her.
The
conference
room
at
the
St.
Adalbert
Centre
was
fully
crowded
with
fans
of
the
Esztergom
resident
Renáta
Konyicska,
who
were
proud
of
the
promising
and
continuously
developing
musician
of
their
town.
At
the
end
of
the
enormous
programme
–
which
was
not
only
an
artistic
achievement,
but
also
a
proof
of
her
great
endurance
–
the
pianist
even
had
the
energy
for
encores,
much
to
the
joy
of
the
audience.
On
the
fourth
evening,
on
Wednesday,
August
29th,
it
was
time
for
the
closing
concert
of
the
international
singing
course
held
by
countertenor
and
professor
of
singing
Nicholas
Clapton.
The
one-week
master
class
attracted
pupils
from
England,
the
Czech
Republic,
Poland
and
Japan,
and
two
future
Hungarian
singers
attended
as
well.
Unfortunately,
the
male
participants
of
the
course
were
not
able
to
stay
in
Esztergom
until
the
end
of
the
course,
so
the
closing
concert
was
a
bit
“one-sided”
as
all
the
performers
were
ladies,
mostly
soprano
singers.
Nicholas
Clapton
has
already
excelled
on
many
occasions
in
Esztergom
with
his
students,
and
this
was
the
case
again
in
spite
of
what
we
have
written
above:
the
colourful
programme
of
the
singers
featured
songs
by
composers
from
Mozart
and
Purcell
through
Hugo
Wolf,
Ferenc
Liszt,
Bedřich
Smetana,
Giacomo
Puccini,
and
all
the
way
to
Vaughan
Williams,
Peter
Warlock
and
Roger
Quilter.
Particularly
noteworthy
were
the
singing
voices
and
the
very
good
technique
and
performances
by
Anna
Havar-Ferenczy
(Tosca)
and
Czech
singer
Zuzana Kohoutová (The Bartered Bride).
Nicholas
Clapton,
as
has
become
usual
from
him,
talked
about
each
song
and
poem
in
more
and
more
perfect
Hungarian,
and
then
performed them with extraordinary sensitivity and vocal technique.
We
must
give
a
special
credit
to
Gabriella
Gyökér,
who
was
the
pianist
of
the
course
and
the
closing
concert.
Gabriella
Gyökér
knows
this
"profession"
at
an
incredibly
high
level,
and
her
deeply
musical
piano
performance
in
accompanying
the
most
various
musical
compositions
was organically infiltrating into the performances of the evening.
On
Thursday,
August
30th,
there
was
a
concert
at
the
Franciscan
Church
performed
by
the
string
chamber
ensemble
of
the
Budapest
Hegyvidék
Chamber
Orchestra
and
the
Choir
of
the
National
Széchényi
Library,
also
featuring
a
première:
Géza
Gémesi’s
transcription
of
the
instrumental
part
of
Ferenc
Liszt’s
Via
Crucis
(the
14
Stations
of
the
Cross)
–
originally
composed
for
organ
or
piano
–
for
string
chamber
ensemble.
The
performance
of
the
composition
with
string
soloists
(2
violins,
1
viola,
4
cellos,
1
double
bass)
and
choir,
with
its
special
sound,
had
an
impact
of
extremely
profound
feelings
touching
the
depths
of
the
soul.
This
performance
will
remain
one
of
the
unforgettable
moments in the history of the Liszt Weeks.
All
in
all,
we
can
say
that
the
Liszt
Week,
now
having
a
history
of
10
years,
was
a
success
in
2018.
The
city
of
Esztergom,
the
inhabitants
of
the
region
–
including
the
settlements
across
the
border
–
visited
the
concerts
daily
with
great
interest
and
enthusiasm,
and
many
of
them
expressed
their
wish
for
them
to
continue.
Let
us
hope
that
two
years
from
now,
circumstances
will
make
it
possible
to
organize
the
next
Liszt Week as well.
(Judit Rozsnyay)